翻译文言文 凡作人贵直,而作诗文贵曲.孔子曰:“情欲信,词欲巧.”孟子曰:“智譬则巧,圣譬则力.”巧

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翻译文言文 凡作人贵直,而作诗文贵曲.孔子曰:“情欲信,词欲巧.”孟子曰:“智譬则巧,圣譬则力.”巧

翻译文言文 凡作人贵直,而作诗文贵曲.孔子曰:“情欲信,词欲巧.”孟子曰:“智譬则巧,圣譬则力.”巧
翻译文言文 凡作人贵直,而作诗文贵曲.孔子曰:“情欲信,词欲巧.”孟子曰:“智譬则巧,圣譬则力.”巧

翻译文言文 凡作人贵直,而作诗文贵曲.孔子曰:“情欲信,词欲巧.”孟子曰:“智譬则巧,圣譬则力.”巧
凡作诗,写景易,言情难.何也?景从外来,目之所触,留心便得;情从心出,非有一种芬芳悱恻之怀,便不能哀感顽艳.然亦各人性之所近:杜甫长于言情,大白不能也.永叔长于言情,子瞻不能也.王介甫、曾子固偶作小歌词,读者笑倒,亦天性少情之故.文见袁枚《随园诗话》.
诗歌是歌咏吟唱心性感情的工具.天有四季,春夏秋冬,阴晴雨雪,周而复始;人有七情,喜怒哀乐,悲欢离合,死去活来.诗即感四季,写七情,托哀怨,寄亲情,解忧烦,刺风俗,或阳刚,或阴柔.四季常轮,七情不灭,则人间不能无诗.凡纸上之可喜可惊,皆胸中之欲歌欲哭.读古人诗歌,表达哀怨之情的诗便真的能使人哀怨欲哭,叙写欢愉之感的诗便真个能令人翩翩起舞,气势激烈的诗使人想击碎唾壶,意气飘扬的诗令人如同乘风云端.这就是古人的心志情怀,足以与后世之人相互感应触发之处.“酒逢知己饮,诗须会家题!”说的就是这个意思吧.
诗人多情种!也多是真心感怀之士,无真情即无真诗歌!诗《三百篇》不著姓名,是因为当时的古人直抒胸怀,并无借此传名的意思,所以其诗歌真意可爱!
昔人称“诗言志”,若无真情,何必作诗?矫揉做作,蹈袭陈言,自己读来都味同嚼蜡,其如读者何?
不过用情过深往往自伤情怀,不但伤己,也会伤害到自己的心上人.古时姚大陆是江苏人,在杭州有个女人,并留下割臂之盟.后随父亲到福建为官,过杭州时,他找到那女人,那女人却早已香消玉殒死去,大怜一年多了.因此赋《西泠感旧诗》四章写道:“江南荡子恨无家,锦字坊西问狭邪.芜馆秋灯留蝙蝠,芜陵春水没虾蟆.故人尚指楼头柳,渔火空迷洞口霞.辜负沙棠舟上客,酒尊诗卷到天涯.窈窕文窗启碧轩,美人家近苎罗村.芳兰佩结潘经样,杏子衫娇泼酒痕,斗草人归春绰约,卖花声破梦温存.争知旧日青鬃客,哭过批粑白板门.楼头别语人凄清,乍似长生七夕盟,绝代可怜人早死,十年未见我成名.临流浅土埋苏小,残月香词唱柳卿.安得并骖瑶岛鹤,苍烟吹破岭头笙歌,西泠曲港漾平沙,桥上黄昏噪暮鸦.榆柳洲边新鬼火,挑花门里旧儿家.玉鱼葬台肌犹暖,金蜕魂归月易斜.知否萧郎重到此,短诗和泪泣琵琶.”哀痛之音,令人泪下.不到半年,姚大陆也死了.语言是从人心底里发出的声音,所以写诗作赋不宜过于悲伤.陆游与唐婉的爱情悲剧也是一个事例,唐婉在和完那首知名的“钗头凤”后不到半年也凄凉地死去了,陆游之所以不早死,大概与他后来矢志于抗金运动中有关吧!

It's better to be a man who is upright; while write a verse which is euphemistic.
Confucius said," It is important to make the business to be true, but it is better to use daedal
words to exp...

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It's better to be a man who is upright; while write a verse which is euphemistic.
Confucius said," It is important to make the business to be true, but it is better to use daedal
words to express it."
Mencius said: "where there is full of wisdom,there is skill;while one only know holy truth very well will have strong force."

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